
What kind of wood makes good prints? What kind of wood is pleasant to carve? What kind of paper makes good prints? What kind of inexpensive paper will do? How do you go about inking and printing the blocks? How wet is too wet? How dry is too dry? What level of wetness/dryness is best for which papers? How do you handle the paper? How do you handle really thin and floppy paper? How do you make a decent damp pack? These are all relevant questions, some of which I have (perhaps tentatively) answered, and some of which I haven’t. The materials are sustainable and without the need of a printing press, size is only restricted by the size of your paper and imagination. So I didn’t touch it again for two and a half years.īut now I’m taking a moku hanga class at the Lawrence Arts Center, and getting good instruction from Yuko Ito, and it’s a whole other endeavor.īut it’s still a pretty steep learning curve. It is a three-minute walk from New Islington Metrolink Station, which is one stop over from Manchester Piccadilly. Location: This workshop is held at AWOL studios, Hope Mill, Ancoats.

Bring a lunch everyday except Tuesday when we go out Dutch for a late lunch Thursday night we host a dinner in our courtyard. Little Lion Studio may use your details to contact you about forthcoming events, classes or developments that may be of interest. basics of creating your own wood blocks to be worked on beyond the class. Woodblock printing in Japan (, mokuhanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used. At the onset we will make a two-color print from. on the principles of Japanese woodblock carving and printing (mokuhanga). Exception is Friday when the workshop ends at 4 PM. Participants will learn the basics of Japanese woodblock printmaking (mokuhanga) in this 2-day workshop.
#Moku hanga class how to
I think my paper was too thin, and I didn’t know how to handle it, and despite my kento marks, I wasn’t registering it properly, and all-in-all it just seemed like too much trouble for the results. Daily instruction is 10 AM to 4 PM with the studio open to students between 9:30 AM and 7 PM. At SCWHS all the students have to take art so there is a broad range of skill and experience, but all have taken to the printmaking with a certain enthusiasm. I was totally inspired, bought the book Japanese Woodblock Print Workshop by April Vollmer and a few supplies, and gave it a quick whirl at home, producing this not-very-adequate print. Moku Hanga High School What a lot of fun it has been teaching Moku Hanga to the 9th graders at Santa Cruz Waldorf High School. While in the Western tradition, oil-based ink is applied with a roller and printed onto the papers surface often with the help of a press, however in the Japanese tradition, the water-based ink is applied with a brush and, while being printed by hand, is.

Several years ago, in 2016 at the Southern Graphics Print Council’s conference in Portland, OR, I sat in the front row for an afternoon of demonstrations for moku hanga. Japanese Woodblock Printmaking - moku hanga The Japanese technique of woodblock printmaking is very different to the Western technique.
